"He is one of the best people that I know. He is incredibly intelligent. I get angry when people are unfair to him," says ABBA's Anni-Frid about Stig Anderson, the dynamic manager of Polar Records and the man behind ABBA's worldwide success.
Anni-Frid has enough reasons to be angry. There probably isn't anyone in the Swedish music business who is exposed more to offenses than Stig Anderson. Roger Wallis from the left-wing record company MVV phrased it like this: "To him, music is a consumer product, like bread or butter. Sometimes like old bread."
Stig's biggest flaw is: he says what he thinks. While others carefully contemplate their words, Stig is so honest that it hurts sometimes. It's not surprising that he has made some enemies with that kind of attitude. But even his biggest opponents must admit: Stig knows the record business like no one else. He has a gut feeling for hits. He is the typical example of a self-made man. From scratch, Stig has worked his way up to one of the most powerful men in the Swedish and international music business.
Stig Erik Leopold Anderson was born on 25 January 1931. He grew up in the Swedish town Hova. His mother worked as a hairdresser, laundrywoman and a kiosk vendor. He never knew his father.
Stig was 13 years old when he left school. But there wasn't any time to enjoy his childhood. The Anderson household was on short commons. That's why Stig worked as a help in a grocery store and apart from that he took a second job with the Hova soccer team. "I patched up the players' shoes and kept the playing field in order. My mother washed their shirts. And I ran the kiosk at the stadium. When the main team played an important match, I made 30 to 35 Swedish kronor. I had to work seven weeks at the grocery store for that kind of money."
From his savings, young Anderson bought himself a guitar and took some lessons. In the following years Stig hired himself out to different bands as an amateur musician. "I was sixteen when I wrote my first song. It was called 'Tiveds Hambo' and it became a classic in dance music." During the next years, Stig started to concentrate more and more on composing and writing lyrics. In 1951, Stig went to education school in Karlstad, he completed his military service and went back to Karlstad. His studies didn't prevent him from composing more songs and writing lyrics.
How hard Stig worked as a lyricist is proven by these statistics: in the sixties he was Sweden's most productive lyricist. He wrote almost 2.000 songs within eleven years.
Stig's big breakthrough came in 1963 when he founded the record company Polar, together with his old friend Bengt Bernhag. Right in the beginning, Stig and Bengt had their big break. A song by The Hootenanny Singers became a big hit and the same thing happened with 'Letkiss'. Stig was in business.
But it would still take a couple of years before ABBA - with the help of Stig Anderson - arrived like a comet on the international pop scene. There will probably never be a prospect of how big Stig's share was and is in this success story. Either way, he is a man who has more than one string to his bow. He is a president, manager, publisher, composer and lyricist, all in one person. He says: "I am the fortunate combination of a bon vivant and an organiser. I listen to the music with the ears of an artist. I am a lyricist, a composer and an amateur musician. Viewed in this light, I have the complete creative background."
That Stig Anderson became a force to be reckoned with not only in Sweden but internationally as well, was proven in 1974. Billboard - America's biggest trade magazine - pronounced him as 'trendsetter of the year'. He received this extraordinary honour for his creativity as a music publisher and producer, that led ABBA to a long string of hits.
On the other hand, to some people Stig became a detested symbol of the commercial music industry. Why exactly Stig was the one to take the blame was understandable. He is successful and he makes a lot of money. And above all, he doesn't mind to lead a flamboyant lifestyle with this money. With his wife Gudrun and his children Marie, Lasse and Anders he has moved to a fantastic nine-room mansion that's within a stone's throw of his office.
Stig: "It often happens that I wake up in the middle of the night and can't get back to sleep. Then I want to get to the office. Now it's just a short walk to get there." Stig also owns a summer house on the ABBA island. He doesn't have a bad conscience because of that. Why would he. He knows that he had to work hard for every penny.
Stig, who often comes across as being aggressive and irrational in televised discussions, has another completely different side. Björn, Benny, Agnetha and Anni-Frid, who all know him better than most other people, know that very well. They have been working together with Stig for years and up till now their close and harmonious partnership hasn't been tarnished by dark clouds.
Sunday, 10 February 2013
Saturday, 9 February 2013
Hitkrant, 1977: ABBA's film début
Good news for the ABBA fans! Anni-Frid, Agnetha, Benny and Björn are going to play the leading parts in a feature film!
This news reached us this week through a telephone conversation with Stig Anderson, their manager. He told us that it's going to be an acted documentary with - among other things - scenes from the recent world tour, the tour that paid a visit to Amsterdam as well. The music in this film will be composed and performed by ABBA and the soundtrack will be available in the shops in the middle of October. By doing this, ABBA is completely following the Beatles' example who also made a movie like this in 1964, called 'A Hard Day's Night'.
There are also plans in the direction of a musical. The spectators at the Jaap Eden concert have already been able to get a preview of this modern day fairytale. If this music is going to be put on record too, there will be plenty of new stuff to enjoy in the near future. Long live ABBA!
This news reached us this week through a telephone conversation with Stig Anderson, their manager. He told us that it's going to be an acted documentary with - among other things - scenes from the recent world tour, the tour that paid a visit to Amsterdam as well. The music in this film will be composed and performed by ABBA and the soundtrack will be available in the shops in the middle of October. By doing this, ABBA is completely following the Beatles' example who also made a movie like this in 1964, called 'A Hard Day's Night'.
There are also plans in the direction of a musical. The spectators at the Jaap Eden concert have already been able to get a preview of this modern day fairytale. If this music is going to be put on record too, there will be plenty of new stuff to enjoy in the near future. Long live ABBA!
Sunday, 3 February 2013
Das Freizeit-Magazin, May 1978: That's how ABBA and The Rubettes became friends!
It's funny: here we have two groups, who are with the same record company, who have both sold millions of hits already, who have the biggest fanbase here in Germany and who still hadn't met each other yet. Until now! We are talking about The Rubettes and ABBA. The superstars from England and Sweden met each other for the first time a couple of weeks ago. At the French Riviera in Cannes. Where The Rubettes were distinguished for their successes by the French station Europe 1 and where ABBA was promoting their feature film 'ABBA - The Movie' at the same time. And since they were all staying at the same hotel, it didn't take long for them to run into each other. Rubettes singer Alan Williams was flabbergasted: "When I found myself facing Anni-Frid for the first time, I was getting heart palpitations." But since Benny was there as well, the otherwise so outspoken Englishman had to make do with some polite conversation. Joker John Richardson was very sad that Agnetha hadn't come along. She had to stay at home to take care of baby Christian. "Too bad, I think she is so sweet," he sighed with a whimsical look. But then they quickly started to talk shop. And Mick even fetched the audio tapes from the brand new Rubettes album 'Some Time In Old Church' from his hotel room to play them to the Swedes. And he beamed like a honey cake when Björn made a copy of the soft Rubettes ballads to listen to them again back in Sweden in all peace and quiet. "Perhaps you could write something for us at some point," John said full of hope, "after all the name ABBA means a guaranteed hit. And that's exactly what we need at the moment!"
Friday, 25 January 2013
Veronica, August 1982: Anni-Frid is singing her song... alone!
Anni-Frid is the beautiful redhead. A woman who proves that 40 is not the final destination. She sings like an angel and has the body to go with it. British pop critics once described her bottom as the most perfect in show business. Anni-Frid has withdrawn from the world of ABBA for a couple of months. She made use of that time to work on a solo album. The two ABBA men have collaborated as well, so that her solo project doesn't have to give rise to new rumours about the end of the Swedish supergroup. Anni-Frid simply wanted to do something else for a change. A working woman must think about her future.
The album should be released around this time. The title is very appropriate: 'Something's Going On'. And indeed there is. The production of this chunk of studio diligence was in the hands of Phil Collins, not unfamiliar due to his own solo work. For unknown reasons, Anni-Frid didn't keep her ex-husband Benny and the sorcerer's apprentice Björn out of the project. Although the gentlemen's share remains limited and they had to be content with playing second fiddle. As a matter of speaking, because I don't see them playing any fiddle. Collins was the one who wielded the scepter: guys like Bryan Ferry, Russ Ballard and Rod Argent contributed songs to the project. When asked about the when and how about the album, the flaming beauty wants to share with us that she felt the time was right for some solo work, apart from the annual ABBA album.
Meanwhile, Anni-Frid's blonde colleague Agnetha hasn't given up in this unfortunate position either. Since the ABBA men are working for months on end in the studio on one single guitar line these days, both women have time to spare to do some shopping. And even then there's plenty of time left for solo albums and/or other activities. Agnetha has carefully inquired about the working schedule of successful producer Mike Chapman, the man that helped Blondie to achieve worldwide fame. That isn't necessary anymore for Agnetha, but a solo album still remains a leap into the dark to the ladies. Because, what they ask themselves while doing the dishes, does the general public really want to listen to solo work by a group member? That's why the two ladies don't want to work with just anybody. But they do want to work with Phil and Mike. It will cost them some money, but on their salary they could hire Paul McCartney or Stevie Wonder. They probably will for their second album.
The musical sidesteps of the ladies are some kind of therapy as well. Just to take a break for a couple of months from divorces, threats, stories about the end of ABBA and, most importantly, a change of scene. Because for every ABBA album, Anni-Frid and Agnetha have to go into the studio with their ex-husbands. And although manager Stig Anderson may announce that both couples have separated as friends, you can't disregard an experience like that. Agnetha's wounds may have been healed by now, although she isn't in a hurry to get married a second time. Doesn't anyone fancy an attractive millionaire, the quiet type, to spend a holiday together on a private island? Poor Agnetha, whenever she makes small talk with her plumber, it's immediately suggested that she is engaged.
Things are different for Anni-Frid, the pain is more severe. She has her share of scars on her soul. Two life companions have left her after a couple of years of apparent happiness; she met her father only a couple of years ago. Everything seemed to go well with Benny. After an engagement time of more than five years, they got married. An expensive ring for her, a grateful glance for him. But they had barely digested their wedding cake before Benny hopped into the bed of a Swedish television personality. And he didn't reconsider his decision. Anni-Frid was alone again. The psychiatrist probably made the suggestion to sing her troubles away. The most recent ABBA albums are full of lyrics about the downfall of two happy marriages. Indeed, on 'The Visitors' they are merely visitors in each other's worlds. There's a bandage of gold on the wounds, but especially to Anni-Frid the tears are still right behind her eyes.
The ambitions of our beautiful redhead reach even further than singing on multiple albums. Anni-Frid wants to act as well. She has already played a part in movie, filmed in Spain, that will probably never reach the Dutch cinemas. But she is available and open to discuss her salary. There seems to be plenty of talent. She has a personality and the camera loves her. She understands the art of coming across spontaneous and credible, she knows what the audience wants.
In ABBA's feature film she was the least camera shy. Ever since that experience she has never hidden her desire to play a part in a real movie. But since they are making very little films in Sweden, Anni-Frid has to turn her attention abroad. Until recently, there simply wasn't any time to withdraw from ABBA's world for a couple of months. But now there is. ABBA will probably go on for some time to come. And why not? Success is guaranteed and they don't have to be together for more than three months per year. The rest is spare time.
The album should be released around this time. The title is very appropriate: 'Something's Going On'. And indeed there is. The production of this chunk of studio diligence was in the hands of Phil Collins, not unfamiliar due to his own solo work. For unknown reasons, Anni-Frid didn't keep her ex-husband Benny and the sorcerer's apprentice Björn out of the project. Although the gentlemen's share remains limited and they had to be content with playing second fiddle. As a matter of speaking, because I don't see them playing any fiddle. Collins was the one who wielded the scepter: guys like Bryan Ferry, Russ Ballard and Rod Argent contributed songs to the project. When asked about the when and how about the album, the flaming beauty wants to share with us that she felt the time was right for some solo work, apart from the annual ABBA album.
Meanwhile, Anni-Frid's blonde colleague Agnetha hasn't given up in this unfortunate position either. Since the ABBA men are working for months on end in the studio on one single guitar line these days, both women have time to spare to do some shopping. And even then there's plenty of time left for solo albums and/or other activities. Agnetha has carefully inquired about the working schedule of successful producer Mike Chapman, the man that helped Blondie to achieve worldwide fame. That isn't necessary anymore for Agnetha, but a solo album still remains a leap into the dark to the ladies. Because, what they ask themselves while doing the dishes, does the general public really want to listen to solo work by a group member? That's why the two ladies don't want to work with just anybody. But they do want to work with Phil and Mike. It will cost them some money, but on their salary they could hire Paul McCartney or Stevie Wonder. They probably will for their second album.
The musical sidesteps of the ladies are some kind of therapy as well. Just to take a break for a couple of months from divorces, threats, stories about the end of ABBA and, most importantly, a change of scene. Because for every ABBA album, Anni-Frid and Agnetha have to go into the studio with their ex-husbands. And although manager Stig Anderson may announce that both couples have separated as friends, you can't disregard an experience like that. Agnetha's wounds may have been healed by now, although she isn't in a hurry to get married a second time. Doesn't anyone fancy an attractive millionaire, the quiet type, to spend a holiday together on a private island? Poor Agnetha, whenever she makes small talk with her plumber, it's immediately suggested that she is engaged.
Things are different for Anni-Frid, the pain is more severe. She has her share of scars on her soul. Two life companions have left her after a couple of years of apparent happiness; she met her father only a couple of years ago. Everything seemed to go well with Benny. After an engagement time of more than five years, they got married. An expensive ring for her, a grateful glance for him. But they had barely digested their wedding cake before Benny hopped into the bed of a Swedish television personality. And he didn't reconsider his decision. Anni-Frid was alone again. The psychiatrist probably made the suggestion to sing her troubles away. The most recent ABBA albums are full of lyrics about the downfall of two happy marriages. Indeed, on 'The Visitors' they are merely visitors in each other's worlds. There's a bandage of gold on the wounds, but especially to Anni-Frid the tears are still right behind her eyes.
The ambitions of our beautiful redhead reach even further than singing on multiple albums. Anni-Frid wants to act as well. She has already played a part in movie, filmed in Spain, that will probably never reach the Dutch cinemas. But she is available and open to discuss her salary. There seems to be plenty of talent. She has a personality and the camera loves her. She understands the art of coming across spontaneous and credible, she knows what the audience wants.
In ABBA's feature film she was the least camera shy. Ever since that experience she has never hidden her desire to play a part in a real movie. But since they are making very little films in Sweden, Anni-Frid has to turn her attention abroad. Until recently, there simply wasn't any time to withdraw from ABBA's world for a couple of months. But now there is. ABBA will probably go on for some time to come. And why not? Success is guaranteed and they don't have to be together for more than three months per year. The rest is spare time.
Sunday, 13 January 2013
1979: ABBA came over for just a moment / ABBA at Ahoy
In that city, just as has been the case yesterday afternoon at Zestienhoven airport near Rotterdam on their arrival, the two male and two female singers will be stormed by fans again who are after their autographs.
At the Ahoy sports centre, filled to capacity, the Swedish pop group ABBA has performed a concert yesterday, a concert that wasn't received very well by the critics although the audience enjoyed it very much. Anni-Frid, the dark-haired ABBA singer, took to the stage wearing a Feyenoord shirt with number 14 on the back.
1978: Record-breaking interest in ABBA-movie
There's a record-breaking interest in the film 'ABBA-The Movie' that is being screened in 14 Dutch cinemas. On the picture on the left you can see people waiting in line for the movie at the Royal cinema in Maastricht and on the right the popular pop group themselves at the Christmas premiere in Stockholm. From left to right: Björn Ulvaeus, Agnetha Fältskog, Anni-Frid Lyngstad and Benny Andersson. The film had its European premiere in The Netherlands.
1977: Swedish movie premiere for ABBA
Subscribe to:
Posts (Atom)



