Hitkrant, 1984: Abbacadabra, a fairy-tale in videoland

In this festive new year's time, the first real ABBA musical 'Abbacadabra' had its premiere at the Lyric Theatre Hammersmith in London. This fairy-like spectacle is part one of Björn and Benny's double project that won't be completed until the spring of 1985. We were in first row.

Björn and Benny are calling 'Abbacadabra' a musical adventure. It's a story about a couple of children playing a video game, in which they have to take a number of characters to the castle of the good fairy, while all of a sudden meeting these fairy-tale figures in reality. To stage this big spectacle, Björn and Benny made an appeal to a number of well-known employees. A familiar face was recruited for the female lead: Elaine Paige, the British girl that was about to give up her singing and acting career for a job as a nurse. When she suddenly succeeded in getting the leading role of Evita in Andrew Lloyd-Webber and Tim Rice's musical, she realised that her future actually was in show business.

Apart from Elaine, B.A. Robertson is playing an important part in 'Abbacadabra' too. Things had been very quiet around this Scottish singer since his 1979 hit record 'Bang Bang'. And except for his striking nose, he actually seemed to be completely forgotten. So he was over the moon when he found out that Björn and Benny were looking for the leading male part in 'Abbacadabra' and they actually had him in mind for the job. I'm sure we won't have to introduce the third eye-catcher in 'Abbacadabra'. Indeed, Finola Hughes is the fantastic dancer John Travolta falls in love with in 'Staying Alive'.
The music for 'Abbacadabra' was composed completely by the magic ABBA composers duo. The repertoire not only consists of well-known ABBA songs but a number of songs have been composed especially for the occasion. Mike Batt was hired for the orchestration of the project. You might recognise his name from Art Garfunkel's beautiful ballad 'Bright Eyes'. The interest for the first few performances of the show in London was overwhelming. That's undoubtedly an encouraging sign for Björn and Benny who now are very busy with their next musical 'Chess' of which a double album is planned to be released in the autumn of 1984. For the live performance of 'Chess' we will have to be patient until early '85. But there's no doubt about it, 'Abbacadabra' and 'Chess' will probably turn out to be extremely successful, just like ABBA's previous projects.

Elaine Paige/'Like An Image Passing By'/Polydor 817 2887
This song was released under the title 'My Love, My Life' on the ABBA album 'Arrival'. Now it is featured in 'Abbacadabra' with adapted lyrics and performed by Elaine Paige. I think it completely falls flat. It's almost a violation of the original version. I wonder what Agnetha - who sings the original version - thinks of this bad cover version.

Hitkrant, 1979: Poster magazine

Joepie, 1979: "The day that we become big-headed, ABBA will be through!"

ABBA's visit to our country was a festive occasion for Joepie as well. We - the people from the editorial staff - met some of our best friends in the business. And the winners of our ABBA competition could finally see a unique dream wish come true. Our reader Willy van Bogaert from Brussels was given the honour to greet the ABBA quartet on behalf of our magazine. He had brought a surprise as well. He gave Agnetha and Anni-Frid a beautiful bouquet of flowers and a statue of... Manneken Pis (Little Man Pee), symbol of Europe's capital. The ice was broken immediately. Martine Cant from Kruibeke was able to watch the ABBA concert before and behind the scenes. She must have been struck by the nervous atmosphere surrounding such a superstar performance. And by the rather vigorous way wherein the 'Gods of Pop' are being protected from the outer world. She followed the concert from first row. And young Sam Jaspers could have his picture taken with his idol Björn. Obviously, the pictures have taken a first-rate spot in their living- and/or bedrooms already.

After their overwhelming concert, there was a happy reunion with Agnetha, Anni-Frid, Björn and Benny. The girls were still soaking wet and visibly tired and understandably wanted to go to bed straight away. On the other hand, it has become customary on tours that Björn and Benny stick around for a while to talk to the press about the concert and the group, while enjoying a drink and a bite to eat. They looked strikingly fresh after their marathon concert of more than two hours, during which they spend all their energy. As if they had just enjoyed a relaxed night out, simple as that.
"Simple? Well yes, because we love the music and our audience that much," Björn explained. "If you do something with love, it's actually never a difficult assignment. It's a question of mentality. Which doesn't mean that we are not doing a hard job during a concert, but you couldn't tell by looking at us."
Benny, with a neverending smile on his face, adds: "When we started, the music was our hobby and despite the success and numerous obligations, it still is. And as long as this remains this way, I can't see any problems."
So quitting tours and splitting up the group are not things to expect in the near future? They both laugh. "Why would we?" Björn asks again. "It's going really well and we love our job and our fans. Apart from that, you mustn't forget that we are never obligated to do anything. We don't have to record, we don't have to tour, we don't have to do promotion. But of course it also happens that we tell ourselves 'isn't it time to go on tour now or to invite a couple of friends from the press' and that's what we do then. And all decisions are being made unanimously by the five of us, our manager, the girls and ourselves. Of course, we are in the fortunate position that we are able to work under these unique circumstances."

So, there will be more ABBA tours, even giant world tours like this one? "I wouldn't rule it out, although I have to add that we won't question any decisions that we have made together," according to Björn. "We have decided that we don't want to perform during the summer months anymore because we want to spend time at home and be with our families. That's why we refused to perform during the opening ceremony of the Olympic Games '80 in Moskow. Perhaps we won't go on long and exhausting tours anymore either. Not only for family reasons but also because tours are in fact very unproductive artistically and we would much rather work on new compositions and other projects, like guiding and producing other artists. But concerts are certainly not ruled out. For instance, next year in March we will be on tour in Japan for three weeks."
When we asked them about the reasons for ABBA's gigantic success, they admitted honestly that they actually don't really know themselves. "There's not an exact formula to be successful in the music business," says Björn. "You create compositions that you believe in and then you hope that the audience will like them as well. A couple of reasons for our success? Obviously our sound. Our two good-looking singers as well. And for the rest I wouldn't know. Either way, we hope that this enormous success won't go to our heads, because the day that we become big-headed, ABBA will be through."

After all, we asked Björn if it wasn't a blunder to introduce Agnetha to the audience as 'my ex-wife but she is still as good as new'. Since every divorce is a painful occasion and a remark like that can come across as rather scornful? Björn appeared to be completely surprised. "On the contrary, because with that remark we only want to show the audience that it was an amicable split," he concluded. "It's normal that our fans wonder how things are between Agnetha and myself. We'd rather tell them ourselves than that they have to read false stories in the magazines. Well, I can assure you that our divorce has been handled on the best of terms, a divorce that was inevitable because neither one of us saw any future in our marriage. We've remained the best of friends and anyone can notice that. Indeed, if we had separated as enemies, we certainly wouldn't have shared the same stage ever again."
Because the financial interests have become too big? "Oh, not at all. Everyone is always talking about all the money we are making. Of course we know what happens to our bank accounts, but it stops there. Our music is our first and only important concern. We want to make the music that we love and we'd like to do that the rest of our lives!"

Privé, April 2013: Comeback for ABBA's Agnetha!

Agnetha Fältskog is back on the scene again, with none other than Take That singer Gary Barlow. The 62-year-old singer has surprised many people with her comeback. But the blonde ABBA star, who hadn't sung a single note in more than ten years, had one condition: "If my voice sounds old, I won't go through with it!"

To the joy of her fans Agnetha Fältskog has given up her solitary life for a comeback in the music business. In 2004, the blonde ABBA singer already took up her old profession once again with the album 'My Colouring Book', but now she is trying to score another hit, together with the twenty year younger Take That star Gary Barlow, with the duet 'I Should Have Followed You Home'. It's clear that the Swedish blonde takes her comeback very seriously this time, because she has asked Britney Spears' composer to write a couple of songs for her album (that will be released later this year), in the hopes of dusting off her image.
"I am always described as a mysterious woman, while I'm not mysterious at all." Agnetha's new musical adventure started two years ago when Swedish record producer Jörgen Elofsson was standing on her doorstep to present three songs to her. For the hit producer, who once wrote Britney Spears' 'Crazy', it was a lifelong dream to bring Agnetha back into the spotlights. The singer was honoured. "I thought all his songs were great, so I simply couldn't say no."
But before they actually started recording, Agnetha had one condition. "It was almost ten years ago since I had last sung and I didn't know if my voice was still there. So I told him right away that I wouldn't go through with the project if my voice sounded old."
The singer knows very well that her image took a severe blow after her relationship with the sixteen year younger Dutchman who had fallen in love with her as an eight year old. The man moved to Sweden for her where he bought a house close to Agnetha's home on the island Ekerö near Stockholm. They started a relationship that Agnetha broke off two years later. But the man kept seeking contact, he even attempted to break into her house, after which the singer contacted the police and her ex was eventually evicted from the country.
Her relationship with this disturbed man only confirmed the impression that many people had of Agnetha, the impression of a lonely and unhappy woman, although she firmly denied this herself.

After the ABBA members had gone their separate ways in 1982, Agnetha was the only one to practically disappear from the face of the earth. She tried to build a solo career for a while and even scored a modest hit with 'The Heat Is On', but after that she disappeared from view. But she cherishes the memories and recently she donated her clothes and other stuff to the ABBA museum that will open its doors in Sweden next month. "It is weird, but also an enormous honour when a museum is created in honour of your work. But it doesn't mean a reunion of the band."
Anni-Frid Lyngstad lives in Switzerland these days, where she is leading her life as Countess of Plauen, after her marriage to Prince Heinrich Ruzzo Reuss of Plauen. The 67-year-old only does charity work these days, often together with her close friend Queen Sylvia of Sweden. Björn Ulvaeus (67) and Benny Andersson (66), ABBA's musical masterminds, are still working together. They compose, write and produce. Apart from that, Benny has his own band called Benny Andersson Orkester and he is the owner of the exclusive Rival Hotel in Stockholm. Björn has become a media tycoon with numerous successful enterprises. Together with Benny he has made many millions by their cooperation with Hollywood producers for the screening of their musical Mamma Mia! ABBA has sold more than 380 million records worldwide and their music is still among the most popular on download sites such as iTunes and Spotify.
"It's all so long ago," says Agnetha. "We all have our own lives now." She is concentrating completely on her comeback and her new album now. Her last album, she assumes. "You have to be realistic, another album in the future is hard to imagine, but I am open to everything."

POP, January 1978: Glorious premiere of ABBA film 'The Movie': this is the music film of the year!

In about two weeks it will finally be our turn as well: ABBA's latest hit, their 90-minute feature film 'The Movie', will be out in the cinemas in Germany and Switzerland. Last year in December, the movie had its world premiere in Stockholm. Apart from the four ABBA members, Pop was there as well...

Sweden's capital Stockholm presents itself to its visitors in sparkling radiance. A sugary white layer of snow that covers houses and streets, and a wonderful Christmas illumination make for a perfect scenery. Candlelight and cosy sofas make sure that there's a celebratory setting inside the cinema. Everyone who is important in the Swedish entertainment industry came to this venue, among them ABBA film director Lasse Hallström and ABBA's manager Stig Anderson. But the centre of attention are obviously Benny Andersson, Björn Ulvaeus, Anni-Frid Lyngstad and above all Agnetha Fältskog who has just become a mother again. Together world famous as ABBA and with more than 50 million record sales in the past few years the most successful group in the world. Visibly excited for the big moment, the four Swedes are talking to the invited guests while sipping their champagne. In the cinema hall the tension is rising to boiling point. All of a sudden there's a stroke of the gong and the lights of the fluttery chandeliers are dimmed. There's a deadly silence, people can hear their own heart beating. A white, vivid flash of lightning, that reveals one of the sides of the stage. In the centre of the light beam there's Stig Anderson in front of a microphone. The ABBA mastermind greets the invited guests in a festive manner and explains the background of the movie. And then 'ABBA - The Movie' takes off!
Breathtaking scenes of the Australian landscape and kangaroos hopping around are the starting point of the movie on the big screen. What follows are 90 minutes of complete ABBA. Hunted by an interview-hungry reporter, Agnetha, Anni-Frid, Benny and Björn are playing and singing their way around the world, meanwhile performing all their big hits blow upon blow.
The lights have barely been turned on when a thunderous applause arises that makes the walls of the vintage theatre tremble. Moved and visibly relieved, the four headliners are taking in the standing ovations. Beaming Agnetha happily reveals to POP afterwards: "I am so happy that I was here tonight. At first, I didn't even want to come, because I was so nervous that I would rather have stayed at home. Now I would actually love to travel to Cannes to the International music fair Midem where 'The Movie' will be presented to the international music world. But the wellbeing of our little son takes precedence. That's why I'm staying at home and that's why there won't be any ABBA concert activities for the time being. By the way, our film will be released in your country in February. I'm curious if our fans in Germany and Switzerland will be just as impressed by 'The Movie' as the guests this evening."
Well, that should be beyond question.

Veronica, December 1982: Ten years with ABBA... and the story continues

Coming Sunday, Veronica will broadcast the third episode of 'The Story Of...". After The Beatles and Elvis Presley, it is now ABBA's turn to be honoured. A story that - contrary to the two previous ones - hasn't been ended yet and a story that's not going to end for the time being because the continuity of the group remains guaranteed by releasing one or two albums every year that will be promoted all over the world with promotional films. No exhausting tours for the quartet. ABBA is clearly a product of the seventies: they've become big with the help of the medium television, the world's best group in the middle of the road genre.

ABBA's home base is Stockholm. Polar Music is based in the city centre. The gigantic office from where manager Stig Anderson appears to have complete control over the financial household. He invests the money in oil, bicycles, real estate and art. Rumour has it that he has managed to make a deal with the Swedish tax collector. The group is also the owner of one of the world's best recording studios.

Stig has also been called the fifth member. At the end of the sixties, he founded his own company, together with Björn and Benny. Björn was a member of the popular Swedish group 'The Hootenanny Singers' and Benny had been playing with the Scandinavian group 'The Hep Stars' ('Sunny Girl'). Stig Anderson wrote English-language songs for the twosome and one of them even sold half a million copies in Japan. Stig was one of the most well-known songwriters in Scandinavia. In Holland, we are familiar with his 'Rocking Billy', at the time recorded by Ria Valk. ABBA was formed between '69 and '70. Agnetha and Anni-Frid both had separate solo careers and they both appeared regularly on Swedish television. They were already living together with Björn and Benny respectively. In 1972, the first single on which all four of them appear is released: 'People Need Love'. The surefire hit was reason enough for the Swedish broadcasting company to invite Agnetha, Benny, Björn and Anni-Frid to take part in the Swedish selection for the Eurovision Song Contest.

Contrary to all expectations, their entry wasn't chosen by the so-called experts, to the major disappointment of the public and the group. ABBA, in the meantime their group name had been shortened, decided to give it another go the next year and this time they were chosen to represent Sweden with 'Waterloo' at the Eurovision Song Contest in Brighton, England.

Winning Eurovision, meanwhile beating Olivia Newton-John and Mouth and McNeal, was ABBA's big breakthrough. In the following years, ABBA would achieve enormous successes. Just a few of their hits: 'SOS', 'Fernando', 'Dancing Queen', 'Voulez-Vous', 'Chiquitita', 'The Winner Takes It All', 'Super Trouper' and 'One Of Us'. The success of their music can be attributed to the strong melody lines mainly courtesy of Benny (Björn generally writes the lyrics) and Agnetha and Frida's voices. Upon the release of 'Voulez-Vous', 'ABBA - The Movie' is released as well. A film that eventually was meant to be a simple documentary of the quartet's '77 world tour. However, the film features about 25 ABBA songs, alternated with scenes of a DJ trying to get an interview with the group. Reason enough for many critics to view the movie as one big promotional film.

'ABBA - The Movie' saved the foursome a lot of touring, because the fans were able to see their favourite group at the cinema. Björn and Benny concentrated on composing and Stig Anderson was making preparations for ABBA's definitive breakthrough in the USA. May 1978 was even declared ABBA month in the US, while the highlight of the campaign was a performance of the group on Olivia Newton John's television show, who had acquired superstar status by then. Indeed, 'The Album' climed the charts and 'Take A Chance On Me' became a top ten hit. But despite all Stig's attempts and despite their record sales, fact is that ABBA absolutely didn't conquer the USA. Björn: "Maybe we would have, if we had moved to America, but none of us was prepared to do that. We didn't like the atmosphere in America, after those few weeks we got tired of it."

In October '79, the group started their second world tour, on which they also performed in Rotterdam, and the rumours were circulating that Agnetha wanted to leave the group. Those rumours partly lead back to the fact that Agnetha is the only group member who hates to be away from home (and her children) for long periods of time. Meanwhile, their private problems started to become public too. Stig Anderson: "We never tried to keep the divorces a secret, we are relatively open. It's just that at the time when we share our problems with the general public, the internal problems have been solved already. The difficult thing is that the press then start to wonder whether the group will continue or not, while we have decided that already."

In the meantime, it has become almost one hundred percent certain that Björn and Benny are going to compose the music for a musical, while the lyrics are going to be written by Tim Rice ('Jesus Christ Superstar'). Frida is successful with her solo album 'Something's Going On'. Agnetha has been busy shooting scenes for a movie and she has declared that she would like to do more of this kind of work. She is starting recording sessions for her solo album in January, together with Mike Chapman. In conclusion, we ask Benny the question how long ABBA will continue: "As long as we enjoy recording music and as long as we still feel we have something to contribute to the music scene, ABBA will go on."

Bravo, 1979: A new love with ABBA

For the first time, Björn showed his new girlfriend Lena in public. And there were rumours about Agnetha that she has a new boyfriend and is expecting a baby...

This year, on the ABBA tour, Björn could almost constantly be seen with a girl by his side, who looks almost exactly like Agnetha. It's his new girlfriend Lena Källersjö. During ABBA's concerts, the 29-year-old Swede was sitting behind the amplifiers on stage or she waited for Björn in the dressing room. Whenever he had to give an interview or prepare for the concerts, she was patiently reading a book, until he had some time for her.
Björn knows Lena - who is working as a secretary at a record company - for almost a year now. It all started shortly after Christmas 1978, when Agnetha had moved out of their common residence permanently.

"Lena and I met each other by coincidence at a mutual friends' New Year's Eve party. It was love at first sight," says Björn. Soon after that, Lena already moved into Björn's home in Lidingö. Since then he barely wants to make a move without her.
Björn: "At first, I only wanted to bring Lena along on the American leg of our tour. At first I believed that I could get along without Lena for the rest of this giant tour. But when we performed in Munich, I craved so much for her that I begged her to come over immediately."
What is actually Agnetha's opinion about all this, that Björn is bringing along his new girlfriend on their tour? Isn't she just a little bit jealous?
Agnetha: "Why would I? Even when I have spend a wonderful time together with Björn, my marriage to him is history. Why wouldn't I grant him his happiness? Apart from that, Lena is a very nice girl. During our tour, I even went out to dinner together with her and Björn a couple of times. Our children Linda and Christian get along great with Lena as well."

Despite all this bliss and contrary to several rumours, Björn and Lena are not thinking about getting married yet. They want to take some time before that.
Lena, who has been married before too, says: "I'm happy with Björn, even without a marriage licence. Apart from that, we have to find out if we are compatible in everyday life too. Because ever since we met, Björn has been working like a madman. Actually we haven't had the time for a true private life just yet."
Agnetha gave rise to hot speculations on this tour as well. Several concert attendees believed to recognise that a bit of a tummy was developing underneath her skintight stage outfit. And that was all it took to assume that Agnetha was pregnant.
"Complete nonsense," Agnetha denies, "if I was having a baby, I would be the first to know. Apart from that, I couldn't imagine who should be the father."
But the premature speculators even have the answer to that question. On this tour there was a man with whom Agnetha was very affectionate. Often she could be seen backstage in the dressing room in an animated conversation with Mats Ronander, the guitarist in ABBA's backing band. A little smile during the soundcheck that was aimed at only him fuelled the rumours. And during the concert at the Olympic Hall in Munich, she stroked his hair tenderly, when she thought she was unobserved.

When asked if Mats is her new boyfriend, Agnetha however shakes her head. But her answer is less convincing: "We like each other and I get along great with Mats professionally. But there's no talk about a friendship, let alone love. I don't know how things will develop between us. Maybe I won't see Mats ever again."
Despite everything, the fans still haven't given up hope that Agnetha and Björn will get back together again one day. When you see them standing next to each other on stage peacefully, it's hard to believe that they don't have anything to say to each other privately anymore.
But Björn doesn't see any chance for that to happen: "We have drawn a line under our marriage. The only connection we still have are our two children Linda and Christian. Apart from that it's not necessary to hate each other when you have separated. We are still friends, just like we were before."